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Reviews

WESTNORTH Studio presents its second annual Halloween Project from October 27th to November 1st, 2003.  The project is an opportunity for artist(s) to create a present a site specific art work for public view over the Halloween weekend.

This year sculptor Gard Jones was invited.

Jones' contribution SAFE, is a floor installation made from pennies, plastic, and duct tape.  The idea is linked to public warnings from the Home Land Security Office . . . in readiness for a possible terrorist attack.  Jones, who is good for thougthful

and sometimes provoking conceptual work, takes his cue from topical issues, and matters that fall between patriot idealism and a cultural fallout.  Gard says about his work, "In a period of great danger and volatility we seek to protect that which we hold most sacred.  We find our choices guided by our leaders words and actions.  That which we choose as sacred speaks to our cultural values.  The methods that we choose to protect our values reflect our confidence in those that guide us as a people and a nation."

In the wake of 9-11 the Bush Administration announced the office of HOMELAND SECURITY to be presided over by Tom Ridge, who was then Govenor of Pennsylvania.  This move would ensure the American Public that our leadership was cognizant of national security concerns and had indeed a plan of action, should the USA come under attack or appear to be in danger of terrorist activity.

One of the earliest signs of action by Mr. Ridge, a combat veteran of Vietnam, a Harvard graduate, a former member of Congress and a close personal friend of the President, was to announce a Color Code ranging from Green to Red, with Red being the sign of a severe alert (whatever that means).  Along with the code was a set of actions residents should take to protect themselves from a possible chemical attack.  This brings us to plastic and duct tape.  Windows and doors were to be sealed with these materials and citizens should stay indoors.  A solution so simple, that some of us cringed while sitting across from gleaming TV sets wondering, "why didn't I think of that"  as Mr. Ridge articulated the rules of the day.

In an atmosphere of growing hostility towards the U.S. and its behavior on the international scene Gard Jones' sculpture SAFE begs us to take another view of this kit of materials or perhaps looks at the absurdity of this simple solution.  As the layers of Federal Governmental departments attending HOMELAND SECURITY merge into larger conglomerates, local government agencies remain in the dark for real solutions and monies promised for first responders.

In a culture that increasingly looks to solving its problems, both inside and outside its borders with money, if not guns, SAFEmaybe indeed the critical solution.

roycrosse
Curator
WESTNORTH Studio
October 2003

 


 

Howard County Times

November 21, 2002

Art MD 2002’ extends its reach

. . . in Gard Jones' "Collusion," which consists of a 55-gallon oil drum resting on its side in the middle of the gallery floor.  Oh, yeah, there are 200,000 pennies pouring out of a drum-top opening and scattered over some of the surrounding floor.
This juxtaposition of an oil drum and pennies succeeds for reasons beyond the element of its being so unexpected.  The contrasting materials make for appealing neighbors, as your eyes note how the glossy black metal drum looks next to the shiny copper pennies. and, of course, the oil drum and the pennies both represent money.
     Incidentally, I'm taking the artist's word that there are 200,000 pennies, just as I'm trusting that gallery visitors will not account for a reduction in that number in the weeks ahead.

-Mike Giuliano




Howard County Times
October 7, 1999

Local Sculptors find Treasures in Trash
-Mike Giuliano

. . . Satire is the organizing principle for Gard Jones.  His "Dancing TV" places a red upholstered theater seat in front of a TV set that's resting on human leg like supports.  Jerry Springer-type programs endlessly play on the TV set.  There's a crown of thorns atop the television lest you miss the point.
      More visually striking is Jones'  "Paper Chase," in which the artist takes a standard office chair and affixes a number of curving metal rods that extend out into the room.  Each rod supports an old black telephone at its end, except for the one supporting a dollar bill-filled mason jar.  Anyone ever caught up in an office routine will identify with this sculpture.

-Mike Giuliano
  
   

  
 
    
  
 
  

 


 

 

 

 

 

 

 

 

 

 

 

 
  

 

 
  
 
  

 

 

 

New Projects

 

Recently exhibited four new sculptures in an exhibition in an new alternative space in Baltimore City: the Old North Avenue Market.  

The exhibit was entitled   

BEYOND THE WALL  and currated by WestNorth Studio executive director roycrosse.

A blog of this exhibition can be found in the July 2008 archive of:

www.jaxcal.org

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